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MUSEUM of DREAMWORLDS

MUSEUM of DREAMWORLDS

Silent Antiquity Films in the BFI National Archive

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Amour d’esclave (original)

1907

Alternative Titles

A Slave's Love (Archive)

BFI identifier

27139

Synopsis

Ancient Athens. Polymos falls in love with the slave Chloë. No main title. Polymos is bored by the attention of merchants and their rich goods. He dismisses them angrily. His wife, Chrysis, sends for the slave girl Chloë to dance for Polymos. Polymos is much taken with the dance and the dancer and goes to embrace her only to be separated by his wife who dismisses Chloë. However, once Chrysis has gone, Polymos follows Chloë into the garden. There he observes her giving flowers in an offering to the God of nature, Pan. She kisses the statue. Polymos makes his presence known and they embrace in a long kiss. They part blowing kisses to one another. Polymos retires to his bed. Chloë enters his quarters and places some perfume on a dying fire which then bursts into flame. Polymos dreams of Chloë dancing with a corp de ballets and veils (291-443). Polymos awakens and embraces Chloë. However, Chrysis enters the room and orders Chloë to be taken to the dungeons. Once there, Chloë is offered poison or death by whipping on a post. She chooses the poison and drinks it. Polymos enters the cell and stops the guard from whipping Chloë. She dances for Polymos once more but dies in his arms. He realizes she has taken poison and drinks it himself to be united in death with her. His wife enters and is stricken by his death (632ft). Note: English intertitles


Production Country: France
Production Company: Pathé Frères
BFI Category: N/A
Source: N/A

Cast

Georges Dorival (Polymos)

Darenne Bennard (Cloë).

Credits

Director: Albert Capellani

Film Technical Information

Original Length: 210 m
Length of BFI Viewing Print: 192 m
Support: Viewable
Black and White
Format: 35 mm

Comments on the print:

Three copies were examined for the Museum of Dreamworlds project: the BFI copy (192 m.), the Dutch Eye Filmmuseum’s print (203 m.), and the 2024 4K digital restoration by the Fondation Jérôme Seydoux-Pathé (210 m.). Derived from the original negative, the latter is presented in black and white. The BFI and Eye copies appear to be based on original coloured distribution prints, even if the BFI version was preserved in black and white. In 1908, the original length of the film was presented as being 210 metres, of which 160 m. was coloured. Intertitles were in the classic Pathé red style. The colouring-in of elements such as the brazier’s flame helps to convey the intended effect: when the fire is stoked as Polymos sleeps, the coloured flame marks his entry into the dreamscape (figure 8). Also colouring-in was added to the costumes of Polymos (yellow) and Chloë (green) within otherwise blue tinted shots. Eye’s version of the dream scene ends with an explosion of colours in the fabrics the dancers twirl (figure 4). The BFI and Eye copies contain few intertitles. They are nevertheless original and correspond to the film’s narrative structure. Thus, we find ‘Kus der liefde’ (The Kiss of Love) in the Dutch print and ‘A Dream. Awful Reality’ in the English print. Compared to the negative, it appears that the two original prints have not been re-edited.

Printed Materials

Pathé-only
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Pathé-only photogrammes for legal depot, no résumé
Pathé-Amour
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Pathé-Amour d'esclave : scénario (résumé conforme à la vue) avec photogrammes
Pathé-Amour
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Pathé-Amour d'esclave : scénario (résumé conforme à la vue) avec photogrammes

Visual Resources

Amour
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Amour d'esclave, par Albert Capellani, en 1907 - Scènes dramatiques et réalistes (8ème Série)

1 - Introduction to website & project

In this introductory essay, we explain the layout and features of the Museum of Dreamworlds website, in order that you can see how to navigate it and make it useful for you. We explain the methods behind our inquiries and survey some of our research findings. We also indicate here some of our project’s other activities and future resources that we will be creating until and beyond the end point of the project in November 2027. We will be developing and extending this introduction as we continue to analyse the antiquity films in the BFI. At this stage, the website is also a work in progress so we would greatly welcome any questions you may have as well as suggestions for corrections, clarifications, additions or improvements, or notification of any malfunctions. We can be reached at: museumofdreamworlducl@gmail.com

1907- Amour d’esclave (Pathé frères)

Amour d’esclave (Pathé frères 1907) is a drama that explores themes of sexual desire restrained by social conventions. The story revolves around Polymos, a married Athenian citizen, and his passionate affair with Chloë, a slave dancer. The narrative culminates in tragedy when Polymos' jealous wife intervenes, leading to Chloë's demise and Polymos' suicide. This film anticipated a shift in France towards literary adaptations aimed at the middle class and reflected Pathé's strong financial position in 1907, marking a high point for French cinema. It exemplifies the early twentieth-century melodrama trope, in which passionate love leads to tragedy. Spectacle, enhanced by colour, dance and theatrical effects, is clearly more important than cinematic innovation or any particularly faithful reconstruction of ancient Greece.