login

MUSEUM of DREAMWORLDS

MUSEUM of DREAMWORLDS

Silent Antiquity Films in the BFI National Archive

← Back to all films Film CardImage

Parapluie fantastique, La (original)

1903

Alternative Titles

Ten Ladies in One Umbrella (Alternative), Dix femmes sous une parapluie (Alternative), Dix femmes sous une ombrelle (Alternative)

BFI identifier

22966

For further information on how to access the film and associated materials, check the Notes on the Print under the Technical tab.

Synopsis

TRICK. A conjuror evokes women in national dress from an umbrella and then transforms them into an ancient Greek tableau. Library of Congress data (6). Méliès copyright (9). No main title. The set of a side show under construction. A theatre booth 'Galathea Theatre'. A conjuror in top hat and tails and carrying a cane and overcoat enters. He sets down his hat and cane with a floursh and throws the overcoat into the wings. He takes the hat and begins to juggle with it. The hat turns into a ball which he bounces up and down. Taking his cane he balances the ball on it. The ball is transformed into a piece of material. He spins the material on the cane and it becomes an umbrella. He jumps on the stage and waving the umbrella across him he is transformed into a Greek in classical dress. He shakes out of his umbrella a young woman in national dress. Waving his umbrella he evokes five more women in national dress and then shaking flowers from the umbrella he evokes a fairy who stands on the centre of the platform playing a lyre. He conjures up three more women. The women form a tableau in front of the stage. The conjuror turns the stage into a Greek temple. At a sign from the conjuror they jump from the stage and are transformed into contemporary clothes. The women dance. The Greek temple is turned into the original theatre set. The conjuror leaps over a stool and is transformed into his original clothes. He picks up his umbrella, tears off the material and it becomes his overcoat. He looks around, picks up the ball and throws it to the ground. It rebounds and becomes his top hat. He acknowledges the audience and bows (82ft). [16mm]. Note. The 'Star' catalogue describes the national dress of the women conjured up in the following order: Algerian, Swiss, Spaniard, Russian, Turk, Hollander, Swede, Gipsy and Fairy. It is difficult when watching the images to ascribe the costumes accurately. (Shotlist)


Production Country: France
Production Company: Star-Film
BFI Category: Fiction
Source: N/A

Cast

Georges Méliès (Magician)

Credits

Director: Georges Méliès
Production Company: Star-Film

Film Technical Information

Original Length: 55 m
Length of BFI Viewing Print: 290 ft
Support: Viewable
Black and White
Format: 35 mm

Comments on the print:

The film's original length is cited in the online filmography of L'association Cinémathèque Méliès - Les Amis de George Méliès as 55 m: https://meliesfilms.com.

Pantelis Michelakis writes: Le Parapluie fantastique (Star-Film, France, 1903), directed by Georges Méliès, who also plays the conjuror, was released also as Dix femmes dans un parapluie, Dix femmes sous une ombrelle, Ten Ladies in One Umbrella, and Ten Girls in One Umbrella. The BFI shotlist recording is 82 ft on 16mm (record). The film is held in six archives (according to FIAF 29572): the BFI, the George Eastman Museum, the Library of Congress, the Museum of Modern Art, the CNC at Bois d’Arcy and the Academy Film Archive. The Library of Congress holds a paper positive alongside a 35mm nitrate negative and positive, an acetate master positive, a polyester dupe negative and two 16mm elements. 

1 - Introduction to website & project

In this introductory essay, we explain the layout and features of the Museum of Dreamworlds website, in order that you can see how to navigate it and make it useful for you. We explain the methods behind our inquiries and survey some of our research findings. We also indicate here some of our project’s other activities and future resources that we will be creating until and beyond the end point of the project in November 2027. We will be developing and extending this introduction as we continue to analyse the antiquity films in the BFI. At this stage, the website is also a work in progress so we would greatly welcome any questions you may have as well as suggestions for corrections, clarifications, additions or improvements, or notification of any malfunctions. We can be reached at: museumofdreamworlducl@gmail.com

THEME - A Composite Greece in Motion: Early Cinema and the BFI’s Silent Prints

This essay focuses on eleven Greek-subject films in the BFI National Archive, made between 1903 and 1927 in four countries, and argues that ancient Greece functioned for early cinema less as a body of stories to be adapted than as a repertoire of operations: a stock of things that could be done with bodies, costumes, poses, objects, substitutions, colour, and frames. What reached the studios was never a recoverable antiquity but a composite already assembled from translation, painting, sculpture, theatre, opera, dance, archaeology, and exhibition practices, which these films homogenise into a single world and differentiate only where a plot requires it. Each film is then read as testing unsettled possibilities of the medium, and is given a verb naming the relevant operation. Causation rarely sits where these stories assign credit, falling instead to slaves, objects, and uncredited performers whom the surviving records seldom name, and circulation is at once what the films depict and the condition of their survival, since colour, intertitles, lengths, and endings varied from copy to copy and are what each print has kept or lost. Read from the prints rather than from the synopses, these films are not attempts to reconstruct antiquity but records of a medium finding out what it could do.