Shakespeare, William
Analyses
1910- Cléopâtre (Pathé frères)
In addition to other early Pathé film titles on antiquity, the BFI National Archive holds a copy of the 1910 Pathé frères film Cléopâtre (Cleopatra), directed by Ferdinand Zecca and Henri Andréani. The film is mostly based on the French stage play Cléopâtre by Victorien Sardou and Émile Moreau (1890), which was in turn inspired by William Shakespeare’s play, but it also bears similarities with nineteenth-century painting. The film contains a typical tableau-like style and histrionic acting, reminiscent of the stage. The lead role was performed by the acclaimed stage actress Madeleine Roch, who previously had acted in several stage plays set in antiquity and acted in various historical films at Pathé around 1910. Cléopâtre also typically follows the Western Orientalist tradition in representing the East as feminine and cruel.
THEME - The set designs for classical antiquity from the Turinese film studio Itala (1909 to 1911)
This article focuses on four of Itala Film's first silent films, preceding the famous epic Cabiria (Giovanni Pastrone, Itala 1914), but already developing an iconographic vocabulary on antiquity, especially through the search for scenic elements. All prints used stem from the collection of the British Film Institute but are analysed in comparison with prints elsewhere. Giulio Cesare (Giovanni Pastrone, Itala 1909) is contextualised by its roots in theatre and painting, but also its recycling of sets, costumes and even actors from a previous Itala production, Principessa e schiava (dir. unknown, Itala 1909). Both films mark Itala's debut in films about Roman antiquity. Confirmation of this recycling by Itala can be found in two films both set in ancient Greece instead: the famous film La caduta di Troia (Giovanni Pastrone, Romano Luigi Borgnetto, Itala 1911) and the lesser-known Clio e Filete (Oreste Mentasti, Itala 1911), with the latter reusing parts of the scenography and costumes of the former. This analysis considers the sources of the ancient worlds designed by Itala, the style of its reconstruction, the use of recycled materials, and what all this says for Italian filmmakers’ visions of the ancient world in 1909-1911.